4 U 2 Know
Distributors:
How to Get 'Em Begging for Your
Music
Author: Kenny Love
There are few things more satisfying than having a ready
market, client, customer or buyer strongly interested in your
business, product or service.
But, in order to get that interest, your business, product
or service must not only be considered a hot commodity by the
end user, but it must also have heavy buyer demand.
And, in the marketing and distribution of music releases,
it goes without saying that one of the most important elements
of music's commercial success is distribution, in successfully
moving music via sales.
Distribution is important because, without it, your sales
will be very limited and you won't make much money. Alternatively,
with it, every aspect of your life and career can be dramatically
enhanced and, particularly, financially.
But for independent musicians, distribution has long served
as a, sort of, curse for quite some time in the sense that
it has largely evaded them.
Online distribution is great, but what about consumers who
expect to find your music in their neighborhood music stores
after hearing it on their area radio stations, reading about
it in their area newspapers, or hearing it in their nightclubs?
More importantly, after hearing it via one of these media,
what is their perspective of you as an artist when they fail
to find it in retail stores?
One way to eliminate this faltering scenario for your next
release is to 'get the drop', so to speak, on distributors
and manipulate your desired result with them well before they
know what hit 'em.
Consider this...
Many artists believe that the number of sales is the most
important aspect that makes distributors sit up and take notice,
but that is not necessarily so. Even though sales are very
important, distributors place far more emphasis and value on
the frequency of those same sales.
In other words, how often your music sells out of retail stores,
and how often those stores place re-orders for your music,
weighs much more in your favor.
It is the element of "selling out" at retail that
makes distributors do double takes, in terms of their acquiring
an interest in picking up and including your product in their
distributor line.
So, how do you do that...how do you make that happen?
Here is one way...
Whether you reside in a metropolitan area, or rural area,
select ten retailers, major chain or independent, that are "Indie" friendly,
and will allow you to consign product to their stores.
As I've stated in previous articles, limit your number of
units to five per store (no more) per 30-day period.
Get any promotion and publicity on radio, in print, on cable,
and otherwise, going to drive consumers to stores to purchase
your music.
On your website, be sure to list all ten stores, along with
their complete contact information, along with the store telephone
numbers, websites and email addresses. This is also a good
thing to do because you can provide distributors with a direct
contact to those retailers for sales verification.
For your area radio stations that air your music format, get
in touch with the specialty and mix show producers. Then, ask
them to consider you for an interview on their shows, as well
as their consideration in adding your music to their playlist.
For your local cable companies, do the same by finding locally
hosted video shows that may allow you to come on as a guest
or allow you to guest-host the show as a local celebrity. And,
if you have a video, by all means, entice them to add it to
their playlist.
For local print media, naturally, get a press release to them
that addresses your music and request their consideration of
a feature interview or music review. But, also include the
list of stores in your news release where your music can be
purchased.
If you are performing live in your local area, even though
you may sell your music at your gigs, be sure to also announce
that your music is in area stores, and that the audience can
get the list of stores from your website.
Use any additional promotion and publicity efforts that you
can think of to further drive local consumers to local retailers.
By doing so, you will assuredly create local store demand for
your product with repeat retail orders.
When your product begins its "re-order" phase, this
will signal a demand for your product. And, since radio is
in constant touch with retailers as to what is selling, retailers
will inform radio of your demand.
When this cycle has been in effect for a number of weeks,
and as you now have documented sales of re-orders, distributors
are going to take your music far more serious than if you were
simply approaching them without any sales history.
Your re-orders will indicate strong consumer interest in your
music, as well as pique distributors' own business interest.
Their assumption will be that, based on your local sales interest,
this result would only be magnified successfully on regional,
national and international levels.
Actually, if your re-orders are at a certain frequency, it
is very likely that some distributors will discover your sales
results and approach you first.
Note: In working with retailers on consignment, you should
utilize a consignment form such as the example that is at http://www.MuBiz.com/CnsnmtFrm.html.
Please feel free to utilize this one, customizing it to your
own specifications.
As always, I welcome your comments regarding the and subject
matter of this particular article. Please feel free to send
them to me at kennylove@MuBiz.com.
If you, too, have questions regarding any aspect of the Music
industry and its related business, please feel free to forward
them to me for consideration of publication in an upcoming
B# Newsletter issue's Q&A section.
Additionally, I will post your website link in both the newsletter,
as well as to approximately 100 music promotional lists, message
boards and forums.
Editor's Note: Kenny Love is president of MuBiz.com, a radio
promotion and media publicity service that also provides business
and career services for musicians. See the company's corresponding
website at
http://www.MuBiz.com.